There's no coy narrative, no insider joke or historical allusion or meta-art theme. There's none of what Serra disdainfully calls ‘post-Pop Surrealism’ by which he lumps together all contemporary art that leans for a crutch on language and Duchamp.
There's no coy narrative, no insider joke or historical allusion or meta-art theme. There's none of what Serra disdainfully calls ‘post-Pop Surrealism’ by which he lumps together all contemporary art that leans for a crutch on language and Duchamp.